GIVEAWAY: Fat Quarter Shop

It’s time to share another $50 Gift Certificate to the Fat Quarter Shop.  We’ve spotted the team from Fat Quarter Shop seeking out all the best new fabrics here at Quilt Market.  For your chance to pick your favorites from Fat Quarter Shop’s huge selection, leave a comment sharing your favorite fabric design from REPEAT so far!  Is it a Tiny Dwelling design that you are still dreaming about, the whir of machines from the Industrial Revolution designs, or perhaps a life map from the last challenge…Dish for your chance to win!

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Design Challenge Four

Designers…

Thanks for all your hard work so far for REPEAT!  At Market the last few days, we have seen how hard work pays off for your fellow designers like Melody Miller, Marcia Derse, and Monaluna.  Keep it up and maybe you will be seeing your designs on random people and quilts around the world…

The June challenge is centered on the idea “Up in the Air…”  Interpret this as you wish.  Last challenge we were firmly planted on the ground, but this time we want your ideas and concept to soar.  Please design a primary print as well as a secondary print.  For the secondary print, please provide three coordinating colorways.

Readers, the Up in the Air designs will be up on the blog on June 14th, so stay tuned!  Between now and then we’ll have Update Blog Posts from the remaining designers and some exciting GIVEAWAYS…

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Judge Remarks: Madeleine Roberg

sample spree, spring quilt market 2012, crowds, quilters

Fabric Lovers Unleashed

 

Madeleien RobergCongratulations Krishna on winning the Map the Geography of your Life challenge, we hope that one day a crowd of fabric loving women will be storming the escalator eager to get their hands on Krishna Chavda’s  latest collection. My sister Mercy sent me the following text after we announced that your designs had won the challenge:  “Loved your winner for this challenge, it was the coolest and most creative way to depict her life!”

The best fabric designs come from strong sources of inspiration and what is stronger than your own life? During the planning phase for the the Map the Geography of you Life challenge we discussed that this challenge might be extremely difficult in the same fashion that writing a biography is so much harder than writing on a non-personal topic and that our designers may dislike this challenge as mush as we didn’t like writing our biographies for The Printed Bolt Press Kit we were preparing for Quilt Market. We were thrilled with the designs and that our designers seemed to enjoy this challenge.  The personal stories and sources of inspiration were wonderful.

At Schoolhouse, which happens the day before Market officially opens, fabric designers (authors, pattern designers, ect…) get a chance to talk about the inspiration behind their newest fabric lines and to tell shop owners how to sell their product.  In Anna Marie Horner’s presentation she focused on how a strong story to go with a collection makes people love the fabric instead of simply enjoying the fabric. Her collections develop out of a story and all of her marketing efforts support the story. I think that all of our designers have been doing an excellent job thinking about the story and inspiration behind their designs and then sharing them with our readers.

The colorways for all the designers in this challenge were excellent. I am a bold color girl and I immediately connected with Krishna’s colorway but I also feel head over heels in love with Jessica’s colors.  The extreme difference between Krishna’s and Jessica’s colors made it even harder to pick my favorite colorway because they evoked completely different emotions and hence were incomparable.  The evidence of the Modern Quilting Movement’s effects on quilting is more obvious at Spring Market than it was in the Fall Market in 2011. Solids are everywhere and the companies are intent on catering to the modern quilter, keep thinking about how your prints coordinate with solid fabrics.

 

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Guest Judge Remarks: Linda Warren

I’m grateful for the opportunity to participate in REPEAT as a judge. What fun!

I noticed some interesting similarities in this month’s designs. Almost everyone had a bright yellow (or close) in their solids. There was only one who didn’t have a secondary color that was yellow. There were a few grays, which is a current fashion in modern quilting, but they were all quite different. And there were a few pinks that were quite muted, not a color often mixed with brights… until now? I feel like I have my finger on the pulse of modern quilting– what will the next trend be? Will it come out of the REPEAT contest?

It might interest some of you to know my approach to judging. I chose not to read most of the posts by the designers, because I didn’t want my judging to be influenced by anything other than the designs. When choosing fabrics for a quilt, or when viewing the fabrics in a quilt, one rarely knows any of the background behind a design. The fabric has to make an impression on the viewer on its own with it’s color, scale, and print. In this month’s challenge, I did find it necessary and interesting to read some of the comments in order to judge how closely the designs stuck to the theme. Now that my turn at judging is done, I’m looking forward to going back and reading all about the designers and their processes. They are all talented artists.

I want to encourage all the designers to continue following their dreams and congratulate them on taking a risk to participate in a competition. It’s hard to get eliminated, but you all have unique strengths and talents, and it’s not a perfect competition. For instance, the designer who was eliminated this month designed one of my favorite fabrics in Challenge 1 (Polka Nests). And the designer who created my favorite fabric this month (Michele Rosenboom) didn’t win either the judges’ vote or the readers’ choice. So as they say on Idol, decide what kind of designer you are and stay true to yourself, make that fabric your own, choose the right colors for you, and design from your heart.

Bring on the next challenge!

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Judge Remarks: Ellen Rushman

Ellen Rushman, The Printed Bolt, REPEATWow!  What a fun challenge to see what you all came up with.  We weren’t sure how this more “personal” challenge would go over, but it seems like the designers enjoyed the prompt and they developed some awesome prints!  Congratulations to Krishna on the win and also to Tammie for snatching the Reader’s Choice Award!

Even though REPEAT is all about awesome printed fabric, this challenge required the designers to integrate a palette of solid colors to coordinate with their two prints.  Solids are pretty hot right now in the modern quilting world.  You can probably find pretty much any solid color you can imagine within the solid collections of the major fabric companies (check out the extensive solid selection at Kathy Mack’s Pink Chalk Fabrics).  Some quilters love those solid colors so much that they don’t even really use prints, gulp.  It was a stretch for me to even buy solid fabric, much less use it, but I have come to appreciate the simplicity of solid quilts and the difficulty of effectively mixing solids and prints within a quilt.  I know, that sounds silly, like it should be so easy, but it’s not.  For example, while planning the Tiny Dwellings French Braid quilt, Madeleine and I stood in the fabric store debating the background color for a solid (ha) 20 minutes.  Hopefully we made the right choice…

It looks like the REPEAT designers pretty much stuck to solids contained within the colorway of their two prints.  Many of the color coordinate groupings were similar to one another.  For example, Krissy and Michele were on a similar wavelength in terms of their solids.  Krishna went super bold in her solids.  I liked that Tammie chose three very different colors, I think this would translate well into a quilt.  Jessica’s presentation of her solids was stellar.  Maybe that khaki would have looked a little off by itself, but you put the whole package of prints and solids together, and it works – and that is what quilting is all about.  Quilts have a somewhat amazing ability to make colors and prints that might not look great together on the bolt next to each other, somehow transform into the best combination ever (or at least that’s what I tell myself).

If you want to explore some awesome quilters who rock at integrating solids into their quilts, check out these blogs.

Film in the Fridge – Vermont shout out…

Tall Grass Prairie Studio

Modern Day Quilts

The Modern Quilt Guild – 100 Days of Modern Quilting

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And the Winner of the Map the Geography of Your Life Challenge is…

Design One: Circumnavigate/Detail

Design Two: Ride/Detail

Solid Coordinates

Krishna ChavdaKrishna Chavda! The judges loved the subtle integration of the actual street maps that define your life! And those colors! Talk about bright, cheerful, inviting…they were a hit! We can imagine both your prints in endless colorways, capturing the interest of lots of quilters…

Judge Remarks:

  • Love, love, love! I love the designs, colors and inspiration. The second design works easily with the main design and I have no trouble seeing them being used in the same quilt. I can easily envision multiple projects using the prints and the solids you created. For me this was a very strong collection, but I am partial to bold, vivid colors. Excellent Job! -Madeleine
  • Krishna I loved your designs for this challenge. I was inspired by the little maps of your life. Growing up in the country I could also relate to the pot holes and bumpy roads life sometimes gives us. The coloration was great and I liked the palette you chose. I would without a doubt love to use these designs in a quilt. Best wishes to you as you continue to design. -Susan
  • I like the bold, warm, contemporary color palette of the first print. The tightly packed circles create a nice secondary pattern of negative space. It is a good variation on a current trend of large scale circle prints. You made it unique by putting the map designs in the circles, varying the map and the color. Nice! Now the viewer could be looking through a purple mesh. I love the dark purple. It calms down the hot yellow/orange/reds. Your first print is one of my favorites in this challenge. -Linda
  • Your primary print circumnavigate is really awesome. The colors are perfect. -Ellen

This was an incredibly tough round of competition to judge. All the designs were top notch, and it was exciting to get to know the designers a bit more! Unfortunately one person does have to go home, and we are sad to say goodbye to Emelia Haglund today.

Not only was it a close race in terms of judging, but the readers were torn too. Congratulations to Tammie Bennett for winning this month’s Reader’s Choice Award with her bright, fun designs!

Check back throughout the week as the judges share their remarks on this challenge. Also, TPB will be at Quilt Market in Kansas City this week! Check our Facebook page for updates from the event! And Friday May 18th the Fourth Design Challenge will be revealed…

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Whose JOURNEY is going to be in your next quilt?

Which fabric inspired you? Vote below to help determine the Reader’s Choice Award.

The vote closes on Sunday, May 13th at midnight. You only get one vote so choose your JOURNEY wisely.

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Design Challenge Three: Tammie Bennett

Design One: My Life/Detail

 

Design One: My Life/Fat Quarter

Design Two: Lifetracks/Detail

 

Design Two: Lifetracks/Fat Quarter

Solid Coordinates

this challenge was at once exciting and terrifying.  the moment i read the details of the challenge, i had a few images come to mind.  then as the days went by, i faced a little resistance and a little dilemma.  resistance because it’s really hard to get personal and put your life out there for all to see.  it’s hard to put the sum of who i am into a piece of art.  the dilemma is an age-old one that i think every artist has come across at least once.  a lot of the art that comes out of my head onto paper (or screen or fabric)  tends to be youthful, bold, bright and unsophisticated.  and herein lies the dilemma.  i know the judges for this competition don’t have the same taste and design aesthetic as i do.  i know that they probably won’t choose a fabric that looks like it could decorate a modern nursery.  so do i try to make my art more in line with what the judges really like, or do i keep true to my vision?  i decided to go with my vision for my main print.  i figure if this challenge is about who we really are, then i have to go with my gut.  i have to design the raw vision that i saw in my head the instant i read the challenge instructions.

the main print represents so much of my life.  i know it looks like sunshine and rainbows (literally), and that is certainly not how my life has been – i’ve been through more than my fair share of dark and twisty times.  but i do choose to live my life focusing on the good, so it made sense to focus on the good stuff for this challenge.  the icons in the design may seem common, but each one represents things or people that are important to me.  my family, my love of running, my love of the mountains, the sad moments i’ve survived, the sun and the trees — they are all in there.

the secondary print represents a huge part of who i am.  i started running competitively when i was 9 years old, and continued to be competitive through most of my life.  running is such a great metaphor for life, and tracks are a great way to represent running.  we all go around and around in this world of ours.  some days i move quickly, and some days i come across obstacles, but i try to always keep moving and pushing ahead.  this design also reminds me of fingerprints, topography maps, and clouds.  i love all of those images, and they all make sense in representing who i am.  i am a dreamer who has made my way over hills and through valleys, and hopefully i’ve made a mark somewhere.

i can’t wait to see what the other designers have come up with.  this was a super fun challenge.

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Design Challenge Three: Michele Rosenboom

Design One: Acres of Plenty/Detail

Design One: Acres of Plenty/Fat Quarter

Design Two: Ocean of Green/Detail

Design Two: Ocean of Green/Fat Quarter

Solid Coordinates

Michele Rosenboom, textile designerThere are so many stories that I could have told for this challenge, but all of them build upon the story of my roots.  My Iowan roots.  And the roots that I’ve very consciously chosen to put down in Iowa, too.  My designs are about the land and the connection that I’ve had to it my entire life.

I’m the product of a long line of Dutch farmers who made their way to the plains of Iowa.  My dad’s farm has been in the family for at least 3 generations and before long, it will belong to someone else.  It’s the story of so many family farms in the Midwest.  Growing up, our lives revolved around the cyclical rhythm involved in planting and harvesting the crops.  I have many fond memories of bringing lunch to my dad in the field, throwing down an old blanket and sitting at the field’s edge together.  Even better was when he let me come along for a ride.  It didn’t matter if it was the tractor or the combine… it was about stepping into my dad’s world for a while.

Left: My first Christmas Right: Pre-teen with miles of legs, sitting on a combine tire

The reason that mapping the geography of my life involves a representation of the land I grew up on is because the land stands for so much more to me.   I don’t just see mile upon mile of endless fields.  I see my family’s past; a way of life.  Ordinary days that have combined to become a lifetime and also a legacy to me and many other relatives.  My patterns are a small way for me to honor the qualities they have passed down, like faith in God, independence, perseverance, hard-work, and humility.   The experience of living on a farm taught me to notice the beauty and detail in nature and to make sure my life is geared down enough to appreciate the simple things in life.   So many of these qualities make me a better designer…and that’s why my past is such an integral part of my present today.

Left: My great-grandmother with my grandpa (left) and his brothers Right: The same 3 boys all grown up on the cover of Wallace Farmer magazine.

My primary print is named “Acres of Plenty.”   It’s a representation of the pattern that is formed by the land, itself.  If you’ve ever flown into the Midwest, you’ve seen the patchwork of land from the sky.  “Oceans of Green” was developed from a topographic map of the land that I grew up on.  The name was inspired by the way that waves of wind wash over fields of soybeans, exposing the silver undersides of the leaves  and turning them back to green again.  It’s a beautiful sight that I saw often during my bean-riding days of high school.

In terms of color, black and white are dominant in my main print.  That’s because the Iowan landscape is one of contrast and extremes.  It can be 100 degrees, with 95% humidity and -20 degrees with a wicked wind chill that makes it feel 20 degrees colder still.  The additional colors were derived from the actual colors of the landscape…blues, greens, and gold.

Although I have lived in the city and abroad, there is something about the land where I grew up that will always feel like home to me.  It becomes a part of you and I realize what a tremendous gift it was.  Thanks, mom and dad…for raising me on a farm.

My dad and I outside ISU’s College of Design on my graduation day last Saturday

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Design Challenge Three: Krishna Chavda

Design One: Circumnavigate/Detail

 

Design One: Circumnavigate/Fat Quarter

 

Design Two: Ride/Detail

Design Two: Ride/Fat Quarter

Solid Coordinates

Krishna ChavdaThis post is a little long, but for good reason! I have lived all over the place, but only a few of them I can call home.  My primary pattern depicts four maps of the neighborhoods I have lived in that had the most impact on my life.   I suppose it only makes sense to start at the beginning.  I grew up in Dar es Salaam, the commercial capital of Tanzania.  From the time I was born until I was in second grade, my family lived in a part of Dar es Salaam called Upanga.  We then moved to Masaki, a more suburban area further away from the city center.  Both Upanga and Masaki hold many fond memories of being a kid, growing up in the tropics, and eating the tastiest of fruits.

When I was thirteen I moved to the USA and started what would be eleven years of moving in and out of dorms every nine months (I went to boarding school and lived in the dorms all through undergrad).  During college, I studied abroad in Florence, Italy where I had the realization that I wanted to be an illustrator.  This was a significant turning point in my journey as an artist, and so, naturally, the third map is of the San Lorenzo neighborhood of Florence.  All the moving temporarily came to a halt in 2009 when I finally had my own place for two years during grad school.  I was so excited that I refused to go travel for more than a few days during the summer in between my first and second year to take full advantage of the fact that I could finally be in one place for longer than nine months.  This place was Savannah, Georgia.  There you have it, the four neighborhoods that hold the most meaning for me.

The bumpy, pot-holed roads in Tanzania inspired my secondary print.   I remember sitting in the backseat of the car being jostled around the entire ride.  The potholes and bumps felts like a good metaphor of my life journey thus far with its ups and downs.  However, this pattern seen from afar seems like straight lines, hinting that overall, the ride has been pretty smooth and even the largest of bumps and ditches level out at some point.

As for the process of this project, I started with Google Maps, my pen, some Bristol board, and a LOT of ink.

It was rather fun drawing the maps because I noticed roads on the maps (particularly in Tanzania), that I had never really noticed before in real life, even though I went past them on a daily basis.  Looking at the maps also reminded me of the many stories and experiences I had in those places.  And lastly, my color palette was inspired by the tropical deliciousness that I consumed as a child.

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Design Challenge Three: Jessica Pollak

Design One: Sakura Spring/Detail

Design One: Sakura Spring/Fat Quarter

Design Two: Sashiko Sun/Detail

Design Two: Sashiko Sun/Fat Quarter

Solid Coordinates

Here's me at age two+ Ernie enjoying the flowers with my Dad

Jessica Pollak, textile designerMy birthday is in April, and so spring is when I tend to reflect on where I’ve been and my goals for the future. Spring flowers make me think of my childhood in Washington DC, where cherry blossom trees lined our neighborhood streets and downtown. They are a fleeting beauty and worthy of all the attention they get in Japan.  The Japanese spend the entire week while the cherry blossoms or sakura are in bloom picnicking and drinking under the trees. So of course when I think of Cherry blossoms, I also can’t help but think of the time I spent living in Japan.

Beautiful garden in Takamatsu!

After graduating from college, I went from job to job and felt pretty burnt out.  None of these jobs were what I wanted long term and they left me no time or energy for art.  I wanted the chance to be inspired, live somewhere new, and concentrate on art. The opportunity to move to Japan for six months was exactly what I needed and proved to be a live changing experience for me!  I loved spending my days biking around the mountains of Kyoto and grew to appreciate the everyday challenges of communicating in a foreign language.  Spending so much time on my art convinced me that it was time to try supporting myself as an artist instead of taking another job I hated.  When I returned to the US that’s exactly what I did!

Here's an photo of a jacket covered in stitching and some close ups of the patterns used.

For this month’s challenge I wanted to create patterns that celebrate spring and my experience living in Japan.  I thought it would be interesting to incorporate inspiration from Sashiko stitching.  Sashiko is a traditional technique often used on apparel. I’ll have a little more info on my blog about Sashiko on Friday!  I love the way the stitching forms different sections of patterns and I thought the geometric shapes almost form a landscape. My patterns represent where I’ve come from, and also a future where I continue to borrow from the past and push myself to create meaningful work in the future!

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Design Challenge Three: Krissy Callahan

Design One: Adventureland/Detail

Design One: Adventureland/Fat Quarter

Design Two: Cadet/Detail

Design Two: Cadet/Fat Quarter

Solid Coordinates

“Map the geography of your life….” The ideas came rushing in. So many memories: Tommy breaks my knee in Sicily, forgetting lines during The Glass Menagerie, my grandfather’s brand of beer and my outfit the first day of freshman year high school. To prepare for this amazing challenge, I just had to write it all down. Pages and pages of nonsense notes, quips, colors and thoughts as I tried to go year by year in my head.  Upon review of the “all work no play” type notes I’d written, I was able to identify common themes and threads.  I broke those out into chapter titles.

I won’t go through every bit in detail, but I’ll run you through the highlights for my primary design, Adventureland; a little bit weird but certainly colorful.


*To expand just a bit more on what has made the biggest impact in my life, I’d like to go into more detail about the first graphic, the apples – representing my family. I am the oldest of six kids. Growing up we always would fight over sitting in the front when my mom was carting us around. Being the amazing teacher she was (and is) she came up with “The Apple of the Day”. The A.O.T.D. was assigned by mom based on behavior and he or she who was lucky enough to have the honor was awarded shot gun, the privilege of answering the phone and the joy of drinking out of the circus cup.  Yes, the coveted circus cup.

The apple of the day is one of my fondest memories of growing up as part of the uniquely fun and loving Callahan clan.

My secondary print is an homage to my future; this design is called Cadets. I quit my day job to pursue my passion, Earth Cadets. Earth Cadets is a giant part of my future, for now, as I figure the ins and outs of owning my own business, it’s all I can see. I truly hope I can sustain this lifestyle and business and look forward to learning each day as I dedicate my time to something I truly love.

Thanks TPB, for this reflective and challenging opportunity. I hope you see a little bit clearer where I am coming from and can’t wait to see what the other designers have to share.

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Design Challenge Three: Emelia Haglund

Design One: Pins and Needles/Detail

Design One: Pins and Needles/Fat Quarter

Design Two: Pins/Detail

Design Two: Pin/Fat Quarter

What a daunting task to try and contain the geography of my life within a print. I wanted to keep things simple and open, in part because that is how I aim to live my life. The word geography immediately bring up the image of a map.  I love maps, they are perhaps the epitome of functional art.  To me, maps mean both travel and home.  I love both. My travels around the world have greatly shaped who I have become, and I intend to continue that evolution as I check off more locations. I’m always planning two trips ahead. I use travel as fuel for my creativity, but there is nothing so warm as seeing the topography of home come into view through an airplane window.  I use maps frequently in my other textiles, because I find it amazing what crooked lines can mean to each and every resident.  For this project, however, I didn’t want to go so literal, so I kept thinking.

While I was thinking about my geography, and what a map of it would look like, I considered the act of putting pins into a map indicating where you had been, or where you were going. It’s a beautiful image to consider, because a single map can house both the achieved and the aspirations. Pins. I use pins in my personal geography religiously. They touch every textile that leaves my hands. I pin broken warps, I pin backings, I pin templates, and I pin finished pieces to my studio wall. I pin all of my work, and yet, a pin is never seen in a completed piece. The same pins that worked on my first piece, continue their tireless effort through my current art. They are an unchanging unit through the evolution of my design work. They seem so simple and disposable, but we carefully save them, stick them into adorable cushions, and always pick them up off the carpet.

Pin cushion

The other features in my print include a classic herringbone; an ode to my favorite weave structure, and vibrant yellow stitches that emulate the lines of a road and create the aerial squares of farmland. Combined I see this print as the accumulation of textile and travel and home. The three things that have been a constant throughout my life. The textiles have changes, the travels have changed, the homes have changed, but despite their changing specifics, they remain a constant.

Detail from a three panel woven map of Madison, WI

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Guest Judge Profile: Susan Brown

Fate brought the team at The Printed Bolt together with Susan Brown.  Susan came to Lincoln last November to sell her amazing binding tool and bias ruler at the QSC Expo quilt show. She had a friend who was planning on helping her at the show  but due to her school schedule she canceled and asked another friend to help Susan, but after looking over her own schedule she realized that she was busy also and called Madeleine to see if she could help. Although, the beginning of the TPB journey is usually marked by the trip to Quilt Market, the seeds began to germinate working that first show with Susan.

Susan is an inspiration and has provided a wealth of information to the girls about the business side of the quilting world. Her greatest invention so far has been The Binding Tool. This thing is revolutionary.  The Binding Tool helps professionally join the two ends of binding, once you have gone around the quilt.  The TPB girls used to struggle with this seam, often resorting to the unflattering straight seam after exhausting battles with the two binding ends.  With Susan’s Binding Tool the two ends fit together perfectly every time without any anguish.  Check out this YouTube video of Susan demonstrating The Binding Tool.

But there is more! The Binding Tool can also be used as a template to make a French Braid style quilt.  This is what we used to make the Tiny Dwelling quilt from Michelle Rosenboom’s fabric and her quilt will be hanging in Susan’s booth (TQMProducts) at Spring Quilt Market, which is fast approaching.

Susan also has a great bias ruler that makes cutting your bias binding easy and quick. We are sure that she will be creating more wonderful tools in the future. In the meantime, Ellen and Madeleine are going to be traveling the US for Susan this summer promoting TQMProducts, so stay tuned to our facebook page to learn about where we are and if we are near you, we hope you will swing by and say hello!

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Guest Judge Profile: Linda Warren

We met Linda in the fall of 2011 at Quilt Market.  Linda and Madeleine met in an online chat room (quilting related, of course) and Linda decided to join Madeleine and her posse of Nebraskans at Friends House Downtown, a Houston hostel, for the week.  The hostel was great, we could walk to the convention center, and we met all kinds of interesting people…

But, we digress…Linda is a quilt designer and tool inventor from Massachusetts.  She is a math whiz and came up with a magical tool, The Learning Curve, that allows quilters to incorporate curved piecing into their quilts.  Check out some of the awesome quilts that Linda has made with The Learning Curve here.

Quilting really is about math in many ways.  Some people (Madeleine and Ellen) are really bad at math, and as such we are grateful for people like Linda who make awesome tools that make quilting easy!

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GIVEAWAY Winner!

Congratulations April!  You have won a TPB tote + Aurifil thread!  April said she was working on finishing some binding and then she had more quilts to finish, classic quilter behavior…

Stay tuned this week for lots of excitement!  Monday and Tuesday you will learn more about the guest judges, Susan Brown and Linda Warren, for this month’s challenge, and on THURSDAY the Map the Geography of Your Life designs will be up on the blog!

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Tiny Dwellings Quilt

A few weeks ago, we ordered up a yard of each of Michele Rosenboom’s winning designs from the Tiny Dwellings challenge.  Getting a package from Spoonflower in the mail is super exciting, but the perfect piece of fabric is somewhat intimidating to cut into.  As such we put actually making the quilt off…until today.

One strip down, several more to go before this chevron masterpiece is finished!  Swing by the TQM Products Booth (#107) at Quilt Market to see it in person!

Top is Finished!

Posted in Design Challenge One - 2012, REPEAT 2012 | Tagged , , | 4 Comments